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Course Catalog / BMU 250 / Lesson 1 of 7

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BMU 250

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Lesson 1: Every life is full of stories

About 15 minutes, plus 20 minutes for your action step

Professor Hoot, the BMU owl, thinking

New to this course? Read Getting started first. Key words are in the glossary.

Your Course Project: this lesson builds Part 4: Meaning. After the Try it, add it to your Course Project and press Check this part.

Warm up

1. Think of a story you have told out loud more than once. Why do people ask you to tell it again?

See the answer

Most retold stories have a moment where something changed.

Why this matters

The hard part is getting your stories onto the page and finishing them.

In a 2014 PNAS research review, Michael Dahlstrom reports that people read story text about twice as fast as plain explaining text and remembered it about twice as well.

By the end of this course you will have one finished story of 1,000 to 2,500 words, true or invented. It starts today with a list.

Start with what you already do

You already lean in when someone says, You will not believe what happened next.

Common belief: My life is too ordinary to write about. Real writers have dramatic lives.

What is actually true: Purdue OWL notes that readers connect most with people and events they can relate to. Small moments with a real change make strong stories.

In this lesson you will

  • List at least 10 moments from your life or imagination in a story bank
  • Identify the change at the center of a possible story
  • Select one story to develop, using a three question test
  • Write a 10 minute freewrite about the story you chose

Key words

story bank, change, freewrite. Find what each one means in the course glossary.

Why stories stick

A story lets the reader live through something.

Dahlstrom (2014) also warns that stories persuade, so tell true stories fairly. Lesson 5 shows how.

Build a story bank

A story bank is a list, not a draft: one line per moment, about 10 lines. Use these prompts, and skip any you want.

Keep each line specific. The night the power went out at Grandma's beats My childhood.

Find the change

A story is something that happened and changed something. Purdue OWL's fiction guide says readers want to learn how the main character changed by the end, or why they did not.

For each line in your bank, ask: What was different afterward? If nothing changed, it may be a memory, not yet a story.

A memoryA story with a change
I went to my cousin's wedding.At my cousin's wedding, I finally forgave my dad.
We moved to Texas.In Texas, I stopped being the new kid when I joined the band.
A memory or a story?A memory is something that happened. A story is something that happened and changed something. Two lesson pairs show the difference. Then three questions to choose one story: is there a change, can you see it, are you ready to write it.A memory or a story?A story is something that happened andchanged something.A MEMORYA STORYI went to mycousin'swedding.At my cousin'swedding, Ifinally forgavemy dad.We moved toTexas.In Texas, Istopped beingthe new kidwhen I joinedthe band.CHOOSE ONE: THREE QUESTIONS1Is there a clear change?What was different afterward?2Can you see it?A place, a sound, a few words.3Are you ready to write it?A lighter one first is fine.
Ask of every line: what was different afterward?
Text version of this figure
  • I went to my cousin's wedding leads to At my cousin's wedding, I finally forgave my dad.
  • We moved to Texas leads to In Texas, I stopped being the new kid when I joined the band.
  • 1. Is there a clear change?: What was different afterward?
  • 2. Can you see it?: A place, a sound, a few words.
  • 3. Are you ready to write it?: A lighter one first is fine.

Use it when: you build your story bank.

Try it: Marcus is made up. Which of his lines has a clear change?

  1. My first paycheck, and what I bought.
  2. The night the bus broke down in the snow with 30 kids on it.
Check your answer
  • The paycheck line has no clear change yet. It is a memory.
  • The snow night does: he went from the new guy nobody trusted to the one the crew called first. He chose it.

Why: Without a change, a story is a list of events.

A memory or a story?A memory is something that happened. A story is something that happened and changed something. Two lesson pairs show the difference. Then three questions to choose one story: is there a change, can you see it, are you ready to write it.A memory or a story?A story is something that happened andchanged something.A MEMORYA STORYI went to mycousin'swedding.At my cousin'swedding, Ifinally forgavemy dad.We moved toTexas.In Texas, Istopped beingthe new kidwhen I joinedthe band.CHOOSE ONE: THREE QUESTIONS1Is there a clear change?What was different afterward?2Can you see it?A place, a sound, a few words.3Are you ready to write it?A lighter one first is fine.
Ask of every line: what was different afterward?
Text version of this figure
  • I went to my cousin's wedding leads to At my cousin's wedding, I finally forgave my dad.
  • We moved to Texas leads to In Texas, I stopped being the new kid when I joined the band.
  • 1. Is there a clear change?: What was different afterward?
  • 2. Can you see it?: A place, a sound, a few words.
  • 3. Are you ready to write it?: A lighter one first is fine.

Use it when: you build your story bank.

Try it: Marcus is made up. Which of his lines has a clear change?

  1. My first paycheck, and what I bought.
  2. The night the bus broke down in the snow with 30 kids on it.
Check your answer
  • The paycheck line has no clear change yet. It is a memory.
  • The snow night does: he went from the new guy nobody trusted to the one the crew called first. He chose it.

Why: A change gives a story somewhere to go. Without one, it is a list of events.

Choose one story

Pick one moment to carry through this course. Use three questions.

  1. Is there a clear change?
  2. Can you see it? Can you picture a place, a sound, or a few words someone said?
  3. Are you ready to write it? It is fine to choose a lighter one first.

Take care while you write

Baikie and Wilhelm (2005) found that writing about hard events often brings a short rise in distress, even when it helps over time. They advise that writers can stop at any time, keep sessions to about 20 minutes, and have support numbers on hand.

The 10 minute freewrite

A freewrite gets words on the page before your inner editor wakes up. For 10 minutes, write about your chosen moment without stopping or fixing. If you get stuck, write I remember and keep going.

Worked example: Marcus builds a story bank

Marcus, a bus mechanic, wants to write stories for his kids. Four of his 10 lines:

  • The day my uncle let me drive his tow truck.
  • The night the bus broke down in the snow with 30 kids on it.
  • My first paycheck, and what I bought.
  • A made up story: a mechanic finds a note hidden in a seat.

He tested each line. Only the snow story had a clear change, and he could still hear the wind. He chose it.

His freewrite started: I remember the heater dying first. Marcus is a made up example.

Strong and weak examples

Two made up situations. Decide which example is stronger, then check.

Situation 1

Example A: Story idea: my childhood.

Example B: The night the bus broke down in the snow with 30 kids on it.

Check your answer

Example B is stronger. One moment, one place, something happens.

Why the other one falls short: Too big to write.

Situation 2: A story from work

Example A: The night the power went out at the diner and we cooked by flashlight for a full room.

Example B: Story idea: my job.

Check your answer

Example A is stronger. One moment, with a problem and a clock, that only you saw.

Why the other one falls short: A job is a topic, not a story. Nothing happens yet.

Picked the weaker one? Find the one detail that makes the difference.

Common mistakes

Try it: Start your story bank

Pick your scenario:

  • A true moment from your own life
  • A story someone in your family tells
  • An invented character with a problem

Support level: full. Work like Marcus did.

  1. Start a file or notebook called Story Notebook.
  2. Write 10 one line moments using the prompts. Skip any prompt you want.
  3. Next to each line, write the change in one sentence, or write none yet.
  4. Choose one story using the three questions.
  5. Set a timer for 10 minutes and freewrite about it without stopping.
  6. Write the date and the minutes you wrote in a simple habit tracker at the back of your notebook.

Do it by: tomorrow

Reflect

Which moment on your list surprised you, and why do you think it came up?

Private and optional.

Check your understanding

Take it as many times as you like. Pick an answer, then open the feedback.

1. Which line from a story bank is most likely to become a strong story?

  1. My years growing up in Ohio.
  2. The night I quit my job and drove home in silence.
  3. Things I have learned about life.
See the answer and feedback

B is correct. It is one moment, and something changed.

A: That is a topic that covers years.

C: That is a lesson, not a moment.

Review: Build a story bank.

2. Lena wants to write about a family trip to the beach. Nothing really changed on the trip. What should she do?

  1. Write it anyway and add a lesson at the end.
  2. Make the trip longer so more can happen.
  3. Look for a moment on the trip when something shifted, or pick another story.
See the answer and feedback

C is correct. A story needs a change at its center.

A: A lesson tacked on is not a change.

B: More events do not create a change.

Review: Find the change.

3. During a freewrite, a painful memory comes up and you feel overwhelmed. What is a good next step?

  1. Stop, take a break, and choose a lighter moment or reach out for support.
  2. Keep writing until the timer ends, no matter how you feel.
  3. Delete your whole story bank and start over.
See the answer and feedback

A is correct. You can stop at any time. Support is listed below.

B: The timer is a limit, not a rule you must push through.

C: Your bank is still useful.

Review: Take care while you write.

Recap

  • Stories stick because readers live through them.
  • A story bank is a list of specific moments.
  • A story needs a change at its center.
  • Choose a story you are ready to write, and take care.

You now have: a story bank of 10 moments, one chosen story, a 10 minute freewrite, and a habit tracker.

Next up

Next you will give your story a shape that keeps readers reading. Lesson 2: The shape of a story. BMU 250 is part of BMU All Access. All Access is $9.99 a month and gives you unlimited access to the course catalog. Sign up free as a Founding Member to continue. Public enrollment opens Nov 9, 2026.

Your map for this course: read the course syllabus for the outcomes, the schedule, how the tests work, and where to get help.

Please read

Some prompts may bring up hard memories. Every prompt is optional, and you choose what to write about. You can stop at any time.

Professor Hoot pointing to the Mark complete button

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